Best Selling Romance

Historical Romance

The Key in the Loch by Blanche Dabney

The Key in the Loch*

Time Travel Romance with Unbelievable Conflict

In this time travel romance, the heroine, Rachel, is a young English woman who is preparing for her Masters in medieval studies. After her adoptive mother dies, she receives a strange gift to that she cannot open without a key, which was luckily found by her brother when going through things at the adoptive mother’s house. When opened, the gift reveals a necklace, which when touched transports Rachel back to Scotland in the 1100s. She is immediately involved in a predicament that some clansmen believe will require human sacrifice.

Will she be sacrificed? Will the laird, in whose bedroom she initially appeared, become wrapped up in the drama or will he’ll be able to control his clansmen? Will the attraction between Rachel and the Laird come to anything?

This book did not sit right with me. The crux of the conflict is based on the idea that ancient Celts or druids performed human sacrifice. Nowadays, it is not believed that this happened. I do understand that this is fiction, but at least the historical Scotland part should have some basis in Scottish reality.

Also, I thought that the book spent too much time relating feelings and events in contemporary time that didn’t matter in the Scottish part of the story; only what was relevant should have been laid out. The book has some of the common issues with grammar, punctuation, and usage, but this is not overly distracting.

The cover had two pet peeves of mine. First, the heroine is said to have fiery red hair; she is very dark haired on the cover. Second, a bare-shouldered style of dress more typical of modern Mexican restaurant waitresses was not favored in medieval Scotland.

If you enjoy time travel Highlander romance and can buy into the human sacrifice aspect, you might find this an enjoyable read.

The Portrait Problem by Jamaila Brinkley

The Portrait Problem

Meddling Mothers, Wedding Planning, and Intrigue…Oh, My!

The portrait isn’t the only problem in this novella in the series supposedly taken from Anastasia Galipp’s files.  Wedding planning takes on a whole other, and often hilarious, dimension when both Anastasia’s mother and Simon’s mother show up, and it becomes a double wedding with Simon’s sister, Juliet, as the other bride. Intrigue is added to the mix when Juliet feels faint after sitting briefly for a sketch for a possible wedding portrait.

Will the double wedding go off without a hitch? How does Anastasia feel about the co-opting of her wedding by their mothers? What is causing this portrait fatigue amongst certain young brides?

I found this novella to be a quick, fun read. The author was able to maintain an irreverent, dry humor throughout.

The Prince Who Captured Me by Joanne Wadsworth

The Prince Who Captured Me

False Marriage Thwarted by Kidnapping

Lady Olivia, the heroine, met Anteros–a sea captain and gentleman’s club owner–at a ball a year-and-a-half before the book starts. We don’t get to see much of this backstory except in the prologue and snippets of recalled memories, but apparently, Anteros has been a good friend to Olivia and her family. Lady Olivia has also gotten to know his sister, Adrestia. For all that has transpired in their past, Anteros believes that Lady Olivia owes him a favor. So when his father demands he marry–even though Anteros has no desire to–he asks Lady Olivia to perform false vows with him to appease his father. His father accepts this compromise. Lady Olivia is later kidnapped.

Is Anteros’s father genuinely willing to accept an English noblewoman, not his chosen Austrian archduchess, for his son’s bride? Will Anteros risk to pursue and rescue lady Olivia? When will he tell her that he is actually an Italian prince whose family has been deposed by Napoleon? Will they speak false vows of marriage? Will they fall in love?

As I have often felt in this series, the book is missing something by not fully including the couple’s backstory. We are just told they have this complex past relationship with only brief moments of that history shown. I would like to understand that the dynamics between Olivia and Anteros better, and that can only be done by showing the scenes where their relationship evolved. The author prefers to write the series as novellas rather than novels, but to me, the complex character dynamics and plot shifts require longer telling to be fully satisfying for the reader.

In this series, the author creates some fascinating secondary characters. Like in this story, Anteros ’s sister, Adrestia would make a fantastic heroine. I would encourage the author to both write some of the romances for these interesting secondary characters and consider making them longer so we can understand the couple’s backstory instead of just being thrown in at a much later time in their relationship.

The book had some of the common issues of grammar, punctuation, and usage, but this did not distract from the story. She did misspell the hero’s dynasty, Bourbon, as Bourdon twice.

If you enjoy historical romances with a little bit of adventure on the high seas, you might enjoy this story.

October Revenge by Merry Farmer

October Revenge*

Spitfire Heroine Saves Her Man

The author does a good job right at the start in setting a mood and a tone for the book. The hero, Mark, the Earl of Gatwick, is silently walking around his own home as if trying to vanish into the woodwork himself. Soon the author reveals some of Mark’s past. Apparently, when Mark was younger, he got in with the wrong crowd. He got involved with a man named Shayles whom Mark witnessed doing terrible things. Mark feels guilty because he didn’t say anything. Now some twenty years after a particularly heinous act, Mark helped get Shayles convicted of one crime. Unfortunately, this will not keep Shayles in prison for long; in fact, he’s due to be released in a month from the start of the book. Mark knows that Shayles will kill him once he is released. Shayles’s lawyer has even sent Mark a letter stating that Mark owes the villain twenty thousand pounds, and if this is not paid, Mark will be ruined by what Shayles will divulge. Under the power of these threats, Mark feels a bit like a dead man walking.

Immediately on the heels of the receipt of this letter, Marcus is surprised when there is a knock at the door. He never has visitors. This visitor is a young black woman from New Orleans named Angelica. Mark’s uncle had moved to the States and became her adopted grandfather. In the old man’s will, Angelica who will not get her inheritance unless she marries Mark.

The young woman is quite a spitfire and rather determined, unlike any woman Mark has known. He is definitely attracted to her, probably due in part to the monkish existence he has lived. Mark comes across as a sad, vulnerable, and sweet hero.

When Shayles’ finds out about this new woman in Mark’s life, she becomes a target as well. However, Shayles has not met a woman like her! She is unwilling to back down to his threat. It was fascinating to see her strength and the way that she was able to help Mark become a stronger and better man. There is definitely violence in this book, but it is contextual and not gratuitous.

The book has some of the common issues with grammar, punctuation, and spelling, but this did not detract from my enjoyment of the book.

This is a very unusual historical romance. Not only is it interracial, but the heroine is stronger than the hero. If you’re looking for something a little different in historical romance, this book may fill the bill.

This Scot of Mine by Sophie Jordan

This Scot of Mine*

Can an English Bride Break a Scottish Curse?

It’s always fun when a romance starts with a curse! In fact, this book starts with a curse that impacts all men of the McLarin line; they will not live to see their firstborn draw his first breath.

This curse has held for five generations. The current last of the male line has been very restrained in his approach to women. He knows he cannot have a family and children like most men, but he is able to find comfort with a widow who is barren.

Our heroine is hightailing it to Scotland on the heels of ruin. She consciously set up her ruin in order to evade marriage to a man whom she was discovering was cruel. Rolland states he will not let her go, so the only thing she can think of to tell him is that she is pregnant with another man’s child. She isn’t, of course. She removes to Scotland to live out her days with her brother.

Her brother, Marcus, let’s Hunter McLarin know about his sister’s downfall, and immediately the laird offers marriage. It seems an ideal circumstance for him, as he can have a wife and a child.  We the reader know she’s not really with child, and Clara does grapple with whether she wants to marry this man at all, whom she first saw brawling in a pub, and then if she wishes to deceive him in order to marry. Her companion and brother think she should marry and not disclose that she is not really pregnant until after the marriage; none of the English group believes in curses and can’t quite believe that the Scot does. Only Marcus’s wife has qualms about Clara marrying before full disclosure.

They do marry, and he quickly discovers that she is not pregnant; the laird is NOT pleased. Honestly, this is the only part I did not enjoy the book. McLarin is a complex, broody, careful, and thoughtful man, but his response to finding out about this seems counter to the man we had come to know in the earlier part of the book. He does become more like himself again, but after his response to her after their wedding night, I almost stopped reading the book because I so disliked his reaction to it. I never like it when the hero acts cruelly to the heroine right after marriage consummation.

From their one time together, of course, Clara becomes pregnant. The rest of book deals with the emotional aftermath of this, as Hunt falls victim to small accidents that put him in peril, putting all on edge about the possibility that the curse has merit. The book does have a satisfying, HEA resolution.

Except for the one part I didn’t like, I found a book to be well written. The book starts with Clara as she is heading to Scotland from London, now a ruined woman. The author does a good job of only telling us what we need to know as we need to know it. For instance, the author only reveals at first that Clara is ruined, but we don’t know why or how. Even as the book goes along, we only learn a little at a time about the entire situation that transpired between her and her former betrothed. The book has solid plot turning points as the story unfolds.

The Viscount’s Promise by Joyce Alec

The Viscount's Promise*

Fascinating Hero in This Regency Suspense

What a dramatic beginning for this book! We are placed in a courtroom where a man is being sentenced for murder. On the dock, the accused man proclaims his innocence and asks his friend in the courtroom take care of his sister. After exacting this promise, the accused then drinks from a vial and keels over dead. After a year of mourning has passed, this friend, Lord Sharpe, as well as a kindly marquess and marchioness, come to town to support this sister, Julianna, in a London season. Lord Sharpe has been troubled by the brother’s claim of innocence and is not quite willing to believe that his former friend is guilty. Will Lord Sharpe figure out the correct murderer who framed his friend? Will he fall for Julianna himself or help her to wed another man?

I found the character of Lord Sharpe to be an interesting one. He is not portrayed as the typical Regency romance hero, who can definitely be a little touchy-feely to appeal to modern readers. Instead, he is portrayed as stiff and formal at first, bringing to mind Mr. Darcy (although he is more willing to dance!). He’s one of the reasons I think the book should have been longer. It would have been more appropriate for him to gradually become more comfortable in Julianna’s presence, and a longer book would have been needed for his character to relax. For a novella, this book has some surprising twists and turns. In fact, that’s the second reason why I think the book should have been expanded: to give more insight into thoughts, emotions, and events of the story.

I thought it odd that states that it takes place in “Nineteenth century, England” while the cover states it is a Regency; why not be specific if you are as on-point as Regency? The Regency period is a very narrow timeframe in English history and certainly not nearly as vague as the 19th century!

There are some issues with grammar, punctuation, and spelling. Surprisingly, even a character’s name was misspelled. Sometimes the baron is either referred to as Baron Holland or Baron Hollard. There are some issues with word choice as well, as sometimes the same or similar words were used right next to each other.

Despite all that, this is a relatively well written short Regency suspense.

His Clandestine Bride by Tora Williams

His Clandestine Bride*

Overcoming Complicated Pasts

In this second chance at romance medieval story, Isobel is confronted by her past when Edmund, returned from the Crusades and now one of the king’s men, shows up in search of an enemy of the king. Six years ago, Isobel and Edmund had a brief but passionate affair that that resulted in a clandestine marriage where they made vows to each other without witnesses. (I guess you could do that back then!) When she told her parents about the marriage, they locked her in a tower until she agreed to marry another man who would form a political alliance with her father. Edmund tries to get to her, but her parents do not allow it through devious means. So, she believes that he did not come for her even though sent out a message about her plight through what she thought was a trusted servant, and he has always believed she turned her back on him.

In the present day, he figures out that her child is their son; she had tried to keep the boy a secret. Edmund is determined to have his heir in his life, and he figures the only way to do so is to marry Isobel again in a public ceremony. Wounds have festered since they were separated. Will they forgive each other? Can they get over their other wounds that occurred in the past but still hold them back? Will Edmund find the man he’s looking for and gain the additional wealth and prestige the king and promised?

The author did an excellent job portraying the complicated web of thoughts and emotions this couple needed to untangle in order to build a future. She did a good job as well at showing Edmund learning how to become a father. Edmund was not natural with his son at first, which makes complete sense given his history, but he wanted to do better and be a good father. I thought his unsureness was very realistic.

The book had some of the common issues with grammar, punctuation, and usage, and there were even a few small errors in diction. But I found interweaving of the story to be done so well that I wasn’t overly distracted by these errors.

If you enjoy second chance at romance stories with a historical twist, you might enjoy his tale of a couple who have much pain in their past, caused by others as well as each other, strive to find love a second time around.

Rejecting the Rogue by Riley Cole

Rejecting the Rogue*

Delicious Victorian Romantic Suspense

We’re in a slightly fantastical Victorian England. The heroine, Philomena Sweet, has done numerous despicable deeds with her cousins at the insistence of her father. She is now determined to make restitution, one case at a time. Renowned for her safe-cracking skills, she now uses them for good and not for evil.

A client comes to the group, asking for help to retrieve a journal that contains many secrets that could be damaging and is now being held for potential future use as blackmail. This is precisely the type of work that the Restitution League does.

Unbeknownst to the group, another one of London’s underbelly is being asked to steal this journal. None other than Spencer Crane, master jewel thief and Philomena’s former betrothed whom she caught in flagrante delicto, has also been charged to retrieve this by a former associate who threatens both Philomena and Spencer’s sister if he refuses to do the job.

What happens when these two cross paths? Will sparks other than those caused by anger result? Will Philomena and her group be able to help the client?

This book was well written. While there is more than one narrator, I love the section from Philomena’s perspective. She comes across as a lady with a jaded but hopeful, slightly snarky attitude, and it is delicious to read. The book has an edgy yet humorous, not-quite-real vibe to it.

One Kiss From Ruin by Nancy Yeager

One Kiss from Ruin*

After Five Years of Heartache, Can They Find Happiness?

There is so much going on in this book! The hero and heroine were to be married five years ago, but the marriage never happened because the hero, Daniel, became embroiled in a scandal about the possible illegitimacy, and therefore, his eligibility for his title of marquess. Her family shunned him, lying to the couple. He was told that she never wanted to see him again and regretted everything they shared; she was told nothing, so she was left to assume he just abandoned her. As neither knows the truth, both are still infatuated with each other but hold some sadness (on her part) and resentment and anger (on his). Scandal and gossip have continued to follow him, some instigated by a longtime friend. She has decided to join the Spinster Society and help with their work. Now, he’s about come and claim his title after most of the issues around the illegitimacy claim have been resolved, but he still needs to go before a committee, so he must live a very upright and proper life. No scandals. And he needs to find the right society wife.

Of course, when they see each other again, they still have an attraction and a desire to be together, especially after they realize that they’ve been lied to for all these years. But she has a secret that can ruin it all for him. Will she help him find the proper wife he needs, or will he figure out some way that they can be together?

This book had some of the common issues with grammar, punctuation, and usage, but it wasn’t distracting. I found the heroine to be sweet and sad. The hero is definitely a rapscallion, especially the way he first treated her when he didn’t quite realize that he had broken her heart. But even afterward at times, he is unkind. But in general, their love and affection for each other shines through.

We also learn some about what the author is calling the Harrow Five, five young heirs to titles who were a group to be reckoned with when they were lads at Harrow. I’ll be interested to see where else the author takes us with the Harrow Five.

A Gentleman’s Promise by Jane London

A Gentleman's Promise*

Romeo & Juliet in Regency England Misses the Mark

This is a Regency version of Romeo and Juliet. Juliet Hill–yes, she is actually named Juliet in the story–is the daughter of a wealthy merchant of marriageable age. In fact, in the first scene, she and her parents are entertaining a potential suitor; his sneezing and clumsiness mean that his suit will not go far. We meet the hero, Christopher Monroe, as he talks with his father. We soon find out that the Hills and the Monroes have a long-standing feud of some 20 years’ duration over some sheep that Monroe thought Hill swindled him over. The hero and heroine have a chance meeting on a street in London, and they find an instant connection, only to find out quickly that their fathers are enemies.

This book had potential, being based on the very interesting idea of having a Romeo and Juliet backdrop to fuel the conflict and motivations of a Regency couple. There are a few more archetypal romantic couples than Romeo and Juliet, but I found this particular story to be melodramatic, and frankly, the author didn’t develop the romantic aspect between Juliet and Christopher well enough. It was instant attraction but with little build-up or chemistry to warrant it.

Also, too, the author didn’t seem to have a sense of some of the customs and viewpoints of Regency England, or at least Regency England as we see it typically portrayed in historical romance. For instance, she called the first suitor that she had a gentleman, even though he owned his own tailoring business. He might have been born a gentleman–though this wasn’t stated–perhaps a second, third, or fourth son, but as he is actively involved in trade currently, he wouldn’t be considered a gentleman by the Upper Ten Thousand or even other gentry. More oddly, after Juliet and her friend Olivia dress as maids to return Christopher’s coat to him near midnight–it was strange enough that she and her friend would attempt to do this–he considers her actions and thinks that they might make other people of more gentle society see her acting as a thief or a “woman of ill repute.” Again, in a Regency romance, such actions of a gentlewoman or a middle-class woman would be seen as reputation-damaging if she were caught, but she wouldn’t be called a woman of ill repute! Loss of reputation doesn’t equal a woman of ill repute; the latter has a wholly different connotation.

The book also had issues with spelling, grammar, and punctuation. In the very first line, folder is used instead of folded. There were other strange misspellings and wrong words throughout the text. The conversations didn’t sound natural at all, they were definitely stilted, and everyone sounded the same. Scenes were overdramatic, tending to go from zero to a hundred rather fast in an almost melodramatic fashion. The scene where the couple’s father’s accidentally meet in a pub is a case in point.

I am a big fan of Regency romance, and I’m usually willing to cut the author’s a bit of slack if they tell me a good story. But I found this story to be silly, contrived, and overdramatic.

I did receive a free advance copy, but–as you might imagine–this did not affect my review

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The asterisks (*) by the book title denote the source of the book copy.

One star = I received it as a free advance/review copy.

Two stars = I borrowed it through my Kindle Unlimited subscription.

Three stars = I’ve purchased the book outright (sometimes for free).

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